Friday, February 27, 2009

Ballet review: San Jose troupe a revelation

The title of Ballet San Jose's 'Hidden Talents' program, which opened Thursday night at the San Jose Performing Arts Center, would appear to refer to the five young choreographers, all members or former members of the company, but it could just as well describe the dancers - many of them from the corps - who got the chance to step into the spotlight in an entertaining evening.


Read more at the SF Chronicle website.


Cheap 'n' easy ways to save money and energy

'Turn off that light!' your parents used to shout.

'Put on a sweater,' they'd say when you complained about the house being cold.

"Wear shorts!" they'd bark if you said you were too hot.

Turns out, Mom and Dad were right, and if you're looking to slim down your energy bills, there are lots of inexpensive or even free things you can do to save money in the long run.

Here are 10 inexpensive things you can do to help save energy and money...


Read more at the SF Gate website.

Monday, February 23, 2009

Gerald Myers, 85, Writer on Dance and Philosophy, Dies

Gerald E. Myers, a scholarly expert on the philosopher William James who expressed his missionary zeal for modern dance through the highly unusual position of philosopher in residence of the American Dance Festival, died Feb. 11 at his home in New London, Conn. He was 85.


More on the NYTimes.com.

Thursday, February 19, 2009

Santa Cruz Boardwalk: summer fun year-round

Although you might associate the Santa Cruz Beach Boardwalk with the shouts and screams of summer, now, in fact, is one of the best times to visit. Without the sticky crowds there are no lines for the roller coasters or the corn dogs, and from now until the end of May, all of the rides are open on weekends, weather permitting. And when the rumble of the rides and the buzz and jitter of the video games in the arcade become too much, you can always take a walk along the beach and skip stones into Monterey Bay.

There's more at the SF Chronicle Website.

Sunday, February 15, 2009

Home & Garden: Recycle, reuse, renew

So I started writing for the Home & Garden section of the Chronicle this week. I had a few ideas for helping folks recycle, reuse, renew. Check it out:

"Get a green cart: Potato peels, lobster shells, chicken bones, coffee grounds, even paper napkins and greasy pizza boxes. Once upon a time, those things went into the garbage, but now through urban compost programs, residents in San Francisco, Oakland, Berkeley and other cities in Alameda, San Mateo and Contra Costa counties can chuck their food scraps into a green cart to be turned into black gold and returned to the soil of Bay Area farms. Apartment renters, ask your landlord to get a green cart for the whole building, and they'll even give you individual kitchen pails for each apartment and instructions on what to compost. Contact your city's public works department for more information."

Read more at the SF Chronicle website.

Thursday, February 12, 2009

Dance Teacher Magazine: Constructing Criticism

In David Kinsella’s A Beautiful Tragedy, a documentary about a 15- year-old studying at Russia’s famed Perm State Ballet School, teacher Lidiya Grigorievna Ulanova bellows at the young students, calling them insolent, stuffed dummies. “You idiots,” she shouts, as tears stream from the girls’ eyes. “You haven’t done it right once! Not once!”

Negative criticism can have a lasting impact on students, and most often, it isn’t even effective in terms of improving performance. “Beating up or demeaning dancers is not going to make them work harder,” says Bojan Spassoff, who, with his wife Stephanie Wolff Spassoff, directs The Rock School in Philadelphia. “It just turns out kids who can barely move because the ballet training is like a military regime.”

Ballet instructor Kristine Elliott, who teaches at Zohar Dance Studio in Palo Alto, California, believes that belittling and destructive comments can also lead to low self-esteem or body image issues. “It’s too easy for it to become a personal affront,” she explains. “Our body is the instrument, so it’s hard for any student to differentiate ‘My body isn’t doing exactly what I want it to do at the moment’ from ‘I’m really ugly and defective.’”

While every teacher wants to push his or her students to grow and move past boundaries, the trick is being able to challenge students while maintaining an encouraging atmosphere. Here, we talk with several educators who share how they provide constructive criticism in the classroom.

Read more at Dance Teacher Magazine.



Thursday, February 5, 2009

Tracing roots: 'Decoding Identity,' StoryCorps

"Take a quick look around, and you can see that America is not just a melting pot anymore. It's become a fluid cultural mosaic of complex ethnic and multiracial backgrounds that can be seen in the faces of our own families. President Obama's inauguration sparked not only a pride of recognition among African Americans but also a sense of solidarity among the almost 7 million people who checked off the 'multiple race' box in the U.S. census.

Categorizing or even describing multiracial identities can be a perplexing puzzle - Tiger Woods once described himself as "Cablinasian" (Caucasian, black, American Indian and Asian) - but the time has never seemed riper for families to help their kids piece together the stories that make up their own rich ethnic backgrounds. "

Read more on the SF Chronicle Website.

Darci Kistler to retire from New York City Ballet

Sic transit the company of Balanchine...
Darci Kistler, the last remaining ballerina at New York City Ballet to have been molded and hired by its co-founder George Balanchine, plans to retire in the 2010 season, she said on Wednesday.

That would complete three decades with the company, where Balanchine singled her out at the tender age of 17 in 1982 to become a principal, after only two years there.

“As it’s happened with every dancer, there’s a certain point where you realize, ‘I want to go off the stage gracefully,’ ” Ms. Kistler, 44, said in a telephone interview. “I just felt it was time.”

Ms. Kistler said she wanted to devote more of her day to teaching at the School of American Ballet, affiliated with the company, where she has been leading a hefty schedule of classes for 15 years. And the aches and pains that come with age have taken their toll, she said.

Read more at the NYTimes.

Wednesday, February 4, 2009

Art anywhere: Kibera, Kenya

Today, after more than a year of planning, 2000 square meters of rooftops have been covered with photos of the eyes and faces of the women of Kibera. The material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season. The train that passes on this line through Kibera at least twice a day has also been covered with eyes from the women that live below it. With the eyes on the train, the bottom half of the their faces have be pasted on corrugated sheets on the slope that leads down from the tracks to the rooftops. The idea being that for the split second the train passes, their eyes will match their smiles and their faces will be complete.

This new work, by far JR's most ambitious to date, can be seen from space and will be seen in Google Earth.

See more at the Wooster Collective.


Tuesday, February 3, 2009

'Burn the Floor': Ballroom for new generation

A decade ago, the word 'foxtrot' might have brought to mind only a newspaper cartoon, and 'tango' conjured up an image of stalking about like Groucho Marx with a rose in his teeth. But when Australian choreographer Jason Gilkison first worked on 'Burn the Floor,' he hoped to evolve the foxtrot and the tango for the 21st century, while getting back to the heart of what moves dance audiences.

Now, bolstered by a burgeoning interest in dance - not to mention an explosion of immensely popular TV shows featuring ballroom dance - "Burn the Floor" comes to the Bay Area for a six-week run, and it's a far cry from the sequins and marabou-trimmed dresses, as well as the rigidly fixed, toothy smiles of competition ballroom dancing.

Read more on the SF Chronicle website.



Sunday, February 1, 2009

Dance review: 'Uncovered: The Diary Project'

These days, identity and the question of how we forge that identity are a hot topic - and a complicated one at that. The fluidity of self-categorization is eloquently investigated in Sean Dorsey's 'Uncovered: The Diary Project,' an evening made up of two dance-theater pieces - 'Lost/Found' and the world-premiere 'Lou' - which opened at the Dance Mission Theater on Thursday and runs through Sunday.

Read more on the SF Chronicle website.