Monday, October 22, 2012

'The Hula Show 2012' review: Sultry hip-hop

The warm spirit of aloha is palpable throughout the evening in Na Lei Hulu I Ka Wekiu's colorful "The Hula Show 2012," which opened Saturday at the Palace of Fine Arts Theatre.

Directed by Patrick Makuakane, the 27-year-old Na Lei Hulu, whose name means "the many-feathered wreaths at the summit, held in high esteem," performs work that interweaves traditional and modern with a deceptive ease and flow. The dancers might hula to 19th century chants and then shift immediately into a dark vision of Faithless' "Crazy English Summer."

Read more: 'The Hula Show 2012' review: Sultry hip-hop 

Thursday, October 18, 2012

Kids create at Leap Sandcastle Contest

It won't just be about playing in the sand and surf at the 29th annual Leap Sandcastle Contest.

The contest aims to raise $225,000 through donations and sponsorships for Leap, Arts in Education, an organization that brings arts programs to elementary and middle schools. And this weekend's contest will showcase fanciful constructions made only of sand and water and built around the theme of "things that jump."

It's an opportunity not only to have a little fun, but also to teach kids about design and construction.

Read more: Kids create at Leap Sandcastle Contest

Thursday, October 11, 2012

Lenora Lee Dance, 'The Escape'

"I try to create works that are personal and historical to my own family, and also talk about themes in the broader American historical narrative," says Lenora Lee, whose company celebrates its fifth anniversary this weekend at Dance Mission Theater in San Francisco.

"Although my work might be specifically about the Chinese American experience," she says, "I find that audiences of all backgrounds can relate to the stories. The loss, grief, separations, beauty, conflict - those are core to everyone."

Read more: Lenora Lee Dance, 'The Escape'

Wednesday, October 10, 2012

Review: Smuin Ballet season opener

Revenge might have been served cold, but the dancing was offered with more heated vibrancy in Adam Hougland's "Cold Virtues," which had its West Coast premiere when Smuin Ballet opened its season at the Palace of Fine Arts Theatre last weekend.

Hougland, who created this piece in 2003 for Louisville Ballet, where he is principal choreographer, is one of a generation of young choreographers whose refreshing vernacular blends balletic form with the heft and universal expressiveness of hieratic gesture. It's a delicate mix that can at times look too studied and academic, but Hougland has a knack for creating a tapestry of inventive movement and evocative shapes that convey the essence of his story without coming off as pedantic.

Read more: Review: Smuin Ballet season opener

Thursday, October 4, 2012

Glass Pumpkin Patch, Richmond: Art blooms

Would-be Cinderellas looking for an elegant fantasy pumpkin might think about choosing from the dazzling glass pumpkins that go on display this weekend in the Glass Pumpkin Patch at the Cohn-Stone Studios in Richmond.

"There will be hundreds of them 'blooming' in our garden," glass artist Molly Stone says.

Throughout the month of October, Stone and her husband and collaborator Michael Cohn will turn their 6,000-square-foot studios and adjacent garden in Richmond into a veritable wonderland of glass pumpkins of all sizes in brilliant shades of orange, green, gold, and ruby red.

Read more: Glass Pumpkin Patch, Richmond: Art blooms

Monday, October 1, 2012

Dance Teacher magazine: Filling the Gap

Preparing high school seniors for college-level dance is never easy. Most students are unfamiliar with the options available, and preparing for auditions and more advanced technique is a huge undertaking. But at the School Without Walls in Washington, DC, dance teacher Heather Pultz has created a unique after-school program that introduces students to college dance early on. They meet and work with undergraduate George Washington University dance majors, attend performances and get audition feedback from GW dance department professors. “I wanted my kids to see dance as a real-world profession and a serious discipline,” she says. “The college students have a great work ethic. I wanted to encourage that academic pre-professional mind-set, and this was an easy way to foster it.”

Pultz’s program can be seen as a small-scale version of the National Coalition for Core Arts Standards’ initiative to align K–12 arts education with higher ed. One goal of the new standards for arts education is to prepare students for college-level study by creating a basis for new AP courses and exams in the arts. But Pultz has seen a more immediate benefit by taking college preparation into her own hands. Not only does she foster an awareness of college dance, she provides opportunities in the arts that her students might otherwise not experience.

Read more: Dance Teacher magazineFilling the Gap