The Netizens of the world are in the midst of an identity crisis -- there is more information publicly available about each of us, and I have a sneaking suspicion that we have less to fear from the government's Echelon agencies snooping on our reading lists than we do from Amazon.com's patented shopper profiling technology. Heck, even the government is turning to the online giants to get its info. AOL recently ignited a firestorm by making public a detailed record of their users' online searches. They didn't have names attached to the searches, but the
New York Times found it almost laughably easy to identify user No. 4417749 simply by analyzing what subjects she searched on.
This mounting identity crisis is precisely the subject of Super Vision, an elegantly, beautiful and disquieting multimedia production by The Builder's Association and studio dbox, which I caught at the Yerba Buena Center forthe Arts. Mixing cutting-edge computer technology with real-time action, it's a show that makes a powerful impact, visually and viscerally.
Read more on KQED.org's Art & Culture site.
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