Kathleen Breen Combes knew at 14 that she wanted more serious training. A student at Fort Lauderdale Ballet Classique, Combes had gone to summer programs since she was 10. “I was always the one who wanted to stay for two more weeks,” says Combes, now a principal at Boston Ballet. “So it was easy to make the decision that I wanted an intense environment year-round.”
Tall and powerfully built, Combes felt that the Harid Conservatory could help her prepare for professional life. “Usually in your school, you’re the best one,” she notes ruefully, “and then all of a sudden, you have people around you who’re just as talented, just as focused.”
Dancers have to be made of tough stuff. Many decide to pursue a professional career in their teens, and make the choice to leave home to attend prestigious conservatories and ballet academies at a relatively young age. What are some pitfalls to watch out for and what are graceful ways to navigate the transition?
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Pointe magazine – Stepping up your training
Many of us zip across the Bay Bridge, never guessing that instead we could be quietly sailing underneath.
