Monday, February 23, 2009

Gerald Myers, 85, Writer on Dance and Philosophy, Dies

Gerald E. Myers, a scholarly expert on the philosopher William James who expressed his missionary zeal for modern dance through the highly unusual position of philosopher in residence of the American Dance Festival, died Feb. 11 at his home in New London, Conn. He was 85.


More on the NYTimes.com.

Thursday, February 19, 2009

Santa Cruz Boardwalk: summer fun year-round

Although you might associate the Santa Cruz Beach Boardwalk with the shouts and screams of summer, now, in fact, is one of the best times to visit. Without the sticky crowds there are no lines for the roller coasters or the corn dogs, and from now until the end of May, all of the rides are open on weekends, weather permitting. And when the rumble of the rides and the buzz and jitter of the video games in the arcade become too much, you can always take a walk along the beach and skip stones into Monterey Bay.

There's more at the SF Chronicle Website.

Sunday, February 15, 2009

Home & Garden: Recycle, reuse, renew

So I started writing for the Home & Garden section of the Chronicle this week. I had a few ideas for helping folks recycle, reuse, renew. Check it out:

"Get a green cart: Potato peels, lobster shells, chicken bones, coffee grounds, even paper napkins and greasy pizza boxes. Once upon a time, those things went into the garbage, but now through urban compost programs, residents in San Francisco, Oakland, Berkeley and other cities in Alameda, San Mateo and Contra Costa counties can chuck their food scraps into a green cart to be turned into black gold and returned to the soil of Bay Area farms. Apartment renters, ask your landlord to get a green cart for the whole building, and they'll even give you individual kitchen pails for each apartment and instructions on what to compost. Contact your city's public works department for more information."

Read more at the SF Chronicle website.

Thursday, February 12, 2009

Dance Teacher Magazine: Constructing Criticism

In David Kinsella’s A Beautiful Tragedy, a documentary about a 15- year-old studying at Russia’s famed Perm State Ballet School, teacher Lidiya Grigorievna Ulanova bellows at the young students, calling them insolent, stuffed dummies. “You idiots,” she shouts, as tears stream from the girls’ eyes. “You haven’t done it right once! Not once!”

Negative criticism can have a lasting impact on students, and most often, it isn’t even effective in terms of improving performance. “Beating up or demeaning dancers is not going to make them work harder,” says Bojan Spassoff, who, with his wife Stephanie Wolff Spassoff, directs The Rock School in Philadelphia. “It just turns out kids who can barely move because the ballet training is like a military regime.”

Ballet instructor Kristine Elliott, who teaches at Zohar Dance Studio in Palo Alto, California, believes that belittling and destructive comments can also lead to low self-esteem or body image issues. “It’s too easy for it to become a personal affront,” she explains. “Our body is the instrument, so it’s hard for any student to differentiate ‘My body isn’t doing exactly what I want it to do at the moment’ from ‘I’m really ugly and defective.’”

While every teacher wants to push his or her students to grow and move past boundaries, the trick is being able to challenge students while maintaining an encouraging atmosphere. Here, we talk with several educators who share how they provide constructive criticism in the classroom.

Read more at Dance Teacher Magazine.



Thursday, February 5, 2009

Tracing roots: 'Decoding Identity,' StoryCorps

"Take a quick look around, and you can see that America is not just a melting pot anymore. It's become a fluid cultural mosaic of complex ethnic and multiracial backgrounds that can be seen in the faces of our own families. President Obama's inauguration sparked not only a pride of recognition among African Americans but also a sense of solidarity among the almost 7 million people who checked off the 'multiple race' box in the U.S. census.

Categorizing or even describing multiracial identities can be a perplexing puzzle - Tiger Woods once described himself as "Cablinasian" (Caucasian, black, American Indian and Asian) - but the time has never seemed riper for families to help their kids piece together the stories that make up their own rich ethnic backgrounds. "

Read more on the SF Chronicle Website.

Darci Kistler to retire from New York City Ballet

Sic transit the company of Balanchine...
Darci Kistler, the last remaining ballerina at New York City Ballet to have been molded and hired by its co-founder George Balanchine, plans to retire in the 2010 season, she said on Wednesday.

That would complete three decades with the company, where Balanchine singled her out at the tender age of 17 in 1982 to become a principal, after only two years there.

“As it’s happened with every dancer, there’s a certain point where you realize, ‘I want to go off the stage gracefully,’ ” Ms. Kistler, 44, said in a telephone interview. “I just felt it was time.”

Ms. Kistler said she wanted to devote more of her day to teaching at the School of American Ballet, affiliated with the company, where she has been leading a hefty schedule of classes for 15 years. And the aches and pains that come with age have taken their toll, she said.

Read more at the NYTimes.

Wednesday, February 4, 2009

Art anywhere: Kibera, Kenya

Today, after more than a year of planning, 2000 square meters of rooftops have been covered with photos of the eyes and faces of the women of Kibera. The material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season. The train that passes on this line through Kibera at least twice a day has also been covered with eyes from the women that live below it. With the eyes on the train, the bottom half of the their faces have be pasted on corrugated sheets on the slope that leads down from the tracks to the rooftops. The idea being that for the split second the train passes, their eyes will match their smiles and their faces will be complete.

This new work, by far JR's most ambitious to date, can be seen from space and will be seen in Google Earth.

See more at the Wooster Collective.


Tuesday, February 3, 2009

'Burn the Floor': Ballroom for new generation

A decade ago, the word 'foxtrot' might have brought to mind only a newspaper cartoon, and 'tango' conjured up an image of stalking about like Groucho Marx with a rose in his teeth. But when Australian choreographer Jason Gilkison first worked on 'Burn the Floor,' he hoped to evolve the foxtrot and the tango for the 21st century, while getting back to the heart of what moves dance audiences.

Now, bolstered by a burgeoning interest in dance - not to mention an explosion of immensely popular TV shows featuring ballroom dance - "Burn the Floor" comes to the Bay Area for a six-week run, and it's a far cry from the sequins and marabou-trimmed dresses, as well as the rigidly fixed, toothy smiles of competition ballroom dancing.

Read more on the SF Chronicle website.



Sunday, February 1, 2009

Dance review: 'Uncovered: The Diary Project'

These days, identity and the question of how we forge that identity are a hot topic - and a complicated one at that. The fluidity of self-categorization is eloquently investigated in Sean Dorsey's 'Uncovered: The Diary Project,' an evening made up of two dance-theater pieces - 'Lost/Found' and the world-premiere 'Lou' - which opened at the Dance Mission Theater on Thursday and runs through Sunday.

Read more on the SF Chronicle website.



Wednesday, January 14, 2009

International Rubik's Cube Competition

If you're of a certain age, you might remember the original Rubik's Cube craze back in the 1980s, when Erno Rubik's fascinating, frustrating little mathematical toy swept the nation. Well, dust off your unsolved Rubik's Cube and give it to your kids, because 30 years later, at the 2009 International Rubik's Cube Competition at the Exploratorium, competitors are solving it with their eyes closed and with one hand tied behind their backs.

Read more on the SF Chronicle website.

Friday, January 2, 2009

Chinese New Year Spectacular in S.F., Cupertino

"If ancient Chinese goddesses were modernized to the 21st century, one imagines that they would look a lot like Vina Lee, the tall, fine-featured, elegant choreographer and dancer whose artistry graces the Chinese Classical Divine Performing Arts Company in the troupe's forthcoming performances of the Chinese New Year Spectacular at the War Memorial Opera House and the Flint Center in Cupertino.

Delicately sipping tea one afternoon in the cafe at the San Francisco Asian Art Museum, the soft-spoken yet forthright Lee speaks animatedly about growing up in China and the love for her country's cultural history that colors her view of Chinese dance."

Read more on the SF Chronicle website.

Leroy the river otter: Wet and wild

Leroy the river otter: Wet and wild:
The Coyote Point Recreation Area is a fabulous spot for hikes, beach strolls or just watching low-flying 747s sweep into nearby San Francisco airport. It's also the home to the Coyote Point Museum, a small gem of a wildlife center.

On Sunday, the museum starts a program of free admission on the first Sunday of each month. While there are many wildlife residents of the museum's outdoor habitats, the star attraction has to be Leroy, the 20-year-old North American river otter and oldest living male river otter in captivity.

Like many folks of a certain age, Leroy has lost a few teeth, but that doesn't stop him from happily gumming down whole fish as he slithers in the water to the delight of onlookers at his daily feedings.
Read more at the SF Chronicle website.


Friday, December 19, 2008

96 Hours: Elephant seals--Tour winter breeding grounds

This weekend and for the next few months, you can get more than a glimpse of one of the most unusual animals in California wildlife just off Highway 1, an hour and a half south of San Francisco. Each year, thousands of elephant seals come back to the beaches of Año Nuevo State Reserve, where hundreds of new pups will be born, and the adult males will duke it out with each other and find a female to mate with before returning to the ocean.

With its trunklike nose and ground-shaking, throaty roar, the northern elephant seal is one of the most impressive and strangest mammals in the ocean, making its home along the Pacific coast as far south as Mexico. On average, they spend more than three-fourths of their lives in water, but when the elephant seals come ashore, they like to vacation - like many humans - along the California coast.

Read more on the Chronicle website.

Saturday, December 13, 2008

Dance review: Ballet San Jose's 'Nutcracker'

On the way to Ballet San Jose's performance at the San Jose Center for the Performing Arts on Thursday night, a young man bantered with his female companion about being dragged to the "Nutcracker" yet another time.

'Oh, you know you wanted to come,' the young woman said playfully. 'You said so.'

'Well, there are two reasons I wanted to come,' her companion admitted. 'The music - I love Tchaikovsky. Plus, I figure there have to be some cute girls in it somewhere.'

True, though after two hours of flash and dash, of tiny yet painfully adorable mice, gutsy leaps and high-flying partnering, even the most restless of boyfriends might have conceded that this 'Nutcracker' offers a lot more than that."

Read more on the SF Chronicle's website.


Cheryl Burke: 'Dancing With the Stars' tour

Two-time 'Dancing With the Stars' champion Cheryl Burke has all the right moves, but she also has her heart in the right place when it comes to dancing. For Burke, 24 - who's been nominated twice for Emmys for her choreography - that means giving back to the community she grew up in, as well as teaching at her new dance studio in San Francisco and using her celebrity charm to promote one of the causes she holds dear: physical fitness. We caught up with Burke before she embarked on a 38-city 'Dancing With the Stars' tour with partner Maurice Greene.

Read more on the SF Chronicle website.


Thursday, December 4, 2008

96 Hours: 'Peter Pan': Children get into the act

For an early holiday treat, the high-flying musical 'Peter Pan' fits the bill. But it's more than just a chance to take in an entertaining musical: An afternoon with Children's Musical Theater could also sow the seeds for a budding actor or actress.

The company got its start as the Cabrini Community Theater in 1968, founded by John Healy, himself a young performer who wanted to create a theater accessible to everyone. Deemed the largest youth theater company in the country - and now under the artistic direction of Kevin Hauge - the theater follows an unusually inclusive policy of casting every child who auditions. Last year, according to marketing associate Heather Lerner, thousands of kids turned up at the auditions, and all of them went onstage in at least one of the company's multiple-cast productions."

Read more on the SF Chronicle website.




Sunday, November 30, 2008

Dance Review: Smuin's 'Christmas Ballet'

Holiday jollity hit the stage Friday as Smuin Ballet heralded the arrival of the holidays with a cheery, chipper opening of 'The Christmas Ballet' at the Lesher Center for the Arts in Walnut Creek.

In its 14th outing, Michael Smuin's spiffy, toe-tapping alternative to the avalanche of 'Nutcrackers' retains its lovable verve and still sports loads of eye candy for the anti-snobs of ballet."

Read more on the SF Chronicle site.

Friday, November 21, 2008

Dance Review: San Jose Ballet's 'Toreador'

"It's been 168 years since the premiere of August Bournonville's Spanish postcard ballet "The Toreador," but with delectable costumes and sets and loads of bright, effervescent charm, this once-lost ballet has become an attractive showcase for Ballet San Jose's deepening roster of dancers, who gave it a lively showing at the San Jose Center for the Performing Arts Thursday night.

'The Toreador' hasn't been seen since 1990, after Ballet San Jose's artistic director, Dennis Nahat, bought the sets and costumes - created originally for the Royal Danish Ballet's 1978 revival - from the Dallas Ballet, which had folded under director Flemming Flindt. Once a staple at the Royal Danish Ballet, 'The Toreador' left the active ballet repertoire in 1929 and was not seen again until 1978, when Danish choreographer Flindt revived it based on historical notes and the memories of the few people who had danced the ballet."

Read more on the SF Chronicle website.


Thursday, November 6, 2008

Yerba Buena Learning Gardens

The Yerba Buena Gardens provides a wide assortment of delights for children, with the Zeum museum, the carousel and Paul Lanier's 10-foot-tall Wishing Tree. But what parents might not know is that on weekends Yerba Buena Gardens also offers Learning Days, a year-round series of free workshops and events designed to foster the green thumb.

"It's one of the best kept secrets in town," Mary McCue, the general manager of Yerba Buena Gardens, says of the program that has been quietly teaching urban kids the basics of gardening for almost 10 years.

"It started when we were taking a group around on a tour of the Yerba Buena Gardens," she recalls, " and we had a little boy in the group who said he was going to start a garden, too. He said he was going to plant tomatoes and carrots ... and lamb chops. And I thought, 'Oh my, we need to teach these kids about gardening!' "

Read more on the SF Chronicle site.



Friday, October 24, 2008

Smuin Ballet: Been Through Diamonds, Carmen

There's a different look to the Smuin Ballet company these days. Not to say better or worse, just different. New faces and a new energy along with new repertoire was what I took away form the company's season opener at the Palace of Fine Arts.

It's been a year and a half since the company's highly visible and high-energy founder passed, and time has wrought some changes. Celia Fushille-Burke has assumed the mantle of company director, while dancer Amy Seiwert is now a choreographer-in-residence. Added to the roster this year are dancers Darren Anderson, Ryan Camou, Terez Dean, Ted Keener, Brooke Reynolds, Jean Michelle Sayeg and Shane Messac.

Friday's program opened with a premiere of Seiwert's Been Through Diamonds, a larky neo-classical look at relationships between four couples that found the men clad in loose suit jackets and pants and the women in Mario Alonzo's sexy dresses. With its dark smokiness and mysterious interplay between the sexes, Diamonds has a bit of the look of a much earlier work that Seiwert did for Oakland Ballet in 2003, Monopoly. Whereas Been Through Diamonds is set to Mozart, the music for Monopoly was Gorecki, but in both Seiwert stepped away from movement as abstraction and given her steps a more human backstory and emotional context.

When I saw Monopoly-- which also featured a rock-solid Erin Yarbrough-Stewart, who stood out in Diamonds too-- I recall thinking that something about Seiwert's trademark twisting and fluid style didn't quite jibe with the story at hand and likewise, it's not clear to me that she had found a comfortable way to get her emotional points across while still utilizing the distinctive connectors and thrusts of weight that mark her work.

Still, as more of a meditation, Diamonds made an impression, particularly in the confident way that Seiwert layers complex steps and transitions from one scene to the next. Newcomer Camou made an appealing soloist, as did his partner Susan Roemer.

The other new work on the program was Robert Sund's Carmen, a one act distillation of the famous story of love gone wrong, this time set to tracks from Miles Davis and Gil Evans' Sketches of Spain. Although it seems like the perfect sort of vehicle for a company known for larger-than-life stories, this Carmen came across as less dramatic than angst-ridden.

Aaron Thayer, as the ill-fated Don Jose and Jessica Touchet as his titular lover did their best with the choreography, which offered serviceable, though not always inspired moments. Touchet-- a dancer who sports a bright charm to go with her dead-centered turns--engaged in much teasing and flicking of her shawl and one rather absurdly tame catfight with Yarbrough. She worked hard to serve up sizzle, but it wasn't her fault that ultimately at the moment of highest emotion, she was little more than kicked around.

Also on the program was Michael Smuin's cleverly nostalgic portmanteau ballet Dances with Songs.

Program Notes.

Saturday, October 18, 2008

SF Jazz: Max Raabe & the Palast Orchester

In the early morning hours, I lie awake and listen to NPR and allow random items from Morning Edition to seep into my head. What I remember can be odd-- occasionally a news item crosses over into my dreams -- was I really arguing with Sarah Palin about her lipstick?

The other day all I could remember was the sound of one of the little thirty second musical transitions, and when I finally got up and looked on the NPR site to find out what it was, I ran across the name of Max Raabe. One link led to another and I found myself utterly charmed by his lounge-lizard approach to the dance music of the 20s and 30s. Then I found out he was coming to the Paramount Theatre in Oakland, courtesy of SF Jazz.

Apparently Raabe and his orchestra, coming off of a highly successful run at Carnegie Hall, have wider fan base than I knew, because the gorgeous Art Deco Paramount was filled to the rafter with ardent fans.

The Palaster's appeal is in the utterly tight, thoroughly serious approach to comedy. The band looks immaculate and plays even better, evincing the sound of a bygone era of Weimar, Germany that occasionally makes someone like me -- who grew up steeped in 1930s Hollywood stereotypes --wonder if someplace in an alley jack-booted thugs are kicking a victim to death.

Raabe himself is a dry and witty front man, a study in leisured boredom as he croons through delightful tunes such as "My Gorilla has a Villa in a Zoo," as well as Brechtian favorites from "Mahagonny" and "Three Penny Opera."

By the time he got round to the band's perennial favorite encore number, an austerely rendered cover of Britney Spears' "Oops I Did It Again," they had the crowd in the palm of their hands... and wondering when they'll be back again.

Program Notes.

Thursday, October 16, 2008

Target Family Day at downtown museums

Explore four of the city's liveliest museums - the Contemporary Jewish Museum, the Museum of the African Diaspora, Zeum and the San Francisco Museum of Modern Art - as they and the Yerba Buena Gardens Festival offer activities, performances and free admission as part of Target's Family Day on Sunday.

On the Esplanade Stage, the Unique Derique and the Destiny Arts Youth Performance Company will be among the many performers, and at Zeum, kids will be able to ride the carousel for free all day long. A huge communal sidewalk mural is planned for the Museum of the African Diaspora, and over at the new Contemporary Jewish Museum, activities will celebrate the Jewish festival of Sukkot.

SFMOMA's Family Day earlier in the year brought in 2,400 visitors, but Sunday's mix of films, hands-on activities and events, inspired by the museum's eye-catching "Brought to Light: Photography and the Invisible, 1840-1900" exhibition, promises to attract even more.

Read more at the SF Chronicle website.

Thursday, September 18, 2008

Coastal Cleanup Day: Tidying up our shores

From bottles, cans and cigarette butts to old tires and oil drums, the tons of trash that litter our beaches and waterways also chokes the marine ecosystem and endangers wildlife. But on Saturday, tens of thousands of Californians will join in what the Guinness Book of World Records has deemed the world's largest trash collection effort: Coastal Cleanup Day.

It's the perfect project for families, school groups, scout troops or community organizations, says the Marine Mammal Center's Ann Bauer.

In 2007, more than 60,000 volunteer cleaners removed 900,000 pounds of trash and recyclable materials from California's shores. In the Bay Area, you can come out between 9 a.m. and noon to one of dozens of sites, grab a trash bag and a check-off sheet and join in the pickup.

Read more on the SF Chronicle site.

Wednesday, September 10, 2008

San Mateo park a cornucopia of pleasures

Officially speaking, San Mateo doesn't have a town square, but surely Central Park qualifies as the heart of the city.

Planted in downtown San Mateo, and only a few minutes' walk from the Caltrain station, Central Park has become the go-to place for the community for everything from music and theater festivals that draw thousands to impromptu family picnics on a hot Sunday.

On a balmy Thursday night in July, the lawn was jammed with dancers and picnickers taking in the Central Park Music Series, an annual summer tradition. The lawn was carpeted with blankets and lawn chairs, and dancers from ages 6 to 60 were grooving away at this year's closing concert, featuring San Francisco reggae band Native Elements.


Read more at the SF Chronicle site.

Thursday, August 21, 2008

96 Hours: Palo Alto Junior Museum

Founded in 1934 in the basement of the local elementary school, the Junior Museum has since grown into a beloved small gem in Palo Alto. The indoor museum area features rotating exhibits and lots of mechanical activities of the hands-on variety, showing how gears work or letting kids play with air bellows.

If you can pry kids away from the activities, out the back door is a small but highly appealing zoo with a bevy of critters that range from the tame (turtles, snakes and ducks) to the exotic (peacocks) to the wild (bobcats and a leopard shark). Many of the zoo's residents were carefully chosen as representatives of the local wildlife - an effort to foster understanding about the creatures that share the Bay Area with humans. It seems to be working: The kids cluster around the owl and ooh and ahh as it swivels its head 180 degrees. At a larger cage, visitors crane their necks to look at a red-tailed hawk while others brush past to see the fruit bats.

Read more on the SF Chronicle website.